Perlisten Audio R7t Loudspeaker
- Written by: Hans Wetzel
- Category: Full-Length Reviews
Please see the accompanying profile on Perlisten Audio founder Dan Roemer.
Perlisten Audio debuted in 2020—seemingly out of nowhere—in the midst of the COVID-19 pandemic. The S Series, rolling five models deep, was less of a first draft than a polished finished article. It features the flagship four-way S7t floorstander ($17,990 per pair; all prices in USD), the four-way S7c center speaker ($8495), the three-way S5m standmount ($12,990 per pair), the three-way S4b bookshelf speaker ($7990 per pair), and the S4s surround speaker ($7590 per pair). As this review was being written, Perlisten added a sixth model, the smaller three-way S5t floorstander ($13,990 per pair), to the S-Series lineup. Each model comes in standard Piano Black and Piano White finishes, with wood veneers available for a surcharge. The company’s loudspeakers boast cutting-edge technology, including bespoke, hand-built drivers—none of that off-the-shelf nonsense that many other ultra-high-end companies use—and a unique DPC array that differentiates itself from most everything else on the market (more on the DPC array below). Perlisten has also released four sealed subwoofers that leverage its own driver and amplifier designs. I jumped at the opportunity to hear for myself what this upstart hi-fi firm has to offer.
Europe Tour 2022: Arriving in Denmark and Gryphon Audio Designs
- Written by: Jeff Fritz
- Category: Opinion
The first leg
If you pay attention to the news, you’ve no doubt been alarmed if you have travel plans booked that involve multiple flights and tight connections. The number of flight cancelations reported in the past several months is enough to make even the most seasoned travelers nervous—especially if you have a tight itinerary booked once you arrive at your destination. When my wife, Andrea, and I made arrangements to travel to Europe in July with our two teens—Abigail, 17, and Ian, 16—we experienced some skepticism that it would all work out, particularly since we had a packed schedule once we landed.
Linn Klimax DSM AV DAC-Preamplifier
- Written by: Aron Garrecht
- Category: Full-Length Reviews
In early 2020 I had the good fortune to review EMM Labs’ DV2 DAC-preamplifier ($30,000), and despite my efforts, I struggled to find fault with it. Consequently, the DV2’s fit, finish, and performance remain the benchmark against which I compare all components of its ilk, including the subject of this review, Linn’s next-generation Klimax DSM ($39,000 when configured as DSM AV, see below, all prices USD). Unlike the DV2, a digital-only preamplifier equipped with a SOTA volume control and a world-class DAC, Linn’s Klimax DSM offers features beyond the scope of the DV2, including analog inputs, two control apps, onboard lossless streaming, and onboard room-correction software. Linn’s reimagined Klimax DSM is by far the most complex, feature-laden audio component I’ve ever reviewed.
Bill Evans: "Trio ’65"
- Written by: Joseph Taylor
- Category: Recording of the Month
Verve Records / Acoustic Sounds / UMe V6-8613/B0033124-01
Format: LP
Musical Performance: ****
Sound Quality: ****½
Overall Enjoyment: ****½
When Verve Records and Acoustic Sounds reissued Bill Evans’s Trio 64 on vinyl in July 2021, it was originally intended to be released simultaneously with a second Evans title on Verve, Trio ’65. Supply chain issues, along with increased demand at pressing plants, caused schedule changes for many labels, and Verve was no exception. Trio ’65 was delayed, and finally made its appearance as part of the Verve / Acoustic Sounds reissue program on July 1, 2022, a year later than planned.
Hans-Ole Vitus Talks to Jeff Fritz
- Written by: Super User
- Category: Videos
Joining Jeff Fritz on this episode of SoundStage! Talks is Hans-Ole Vitus, CTO and founder of AVA Group A/S—parent company to Vitus Audio. Vitus, as he’s known, discusses his transition from CEO to CTO, the new Vitus Audio website, and the three product lines Vitus Audio produces: Reference, Signature, and Masterpiece. Vitus also teases what’s coming in 2022 and 2023 in terms of new products and updates.
My Favorite New Ultra Product from Munich's High End 2022: Rockport’s Orion Loudspeaker
- Written by: Jeff Fritz
- Category: Opinion
I loved High End 2022, this year’s edition of the largest audio show in the world, which took place from May 19 to 22 in Munich, Germany. It was great to be back after two COVID-19 years at home. The show was a smashing success with lots of product introductions and many terrific-sounding systems. You can read the SoundStage! Network’s coverage of the event, which I contributed to, on SoundStage! Global. Also check out Jonathan Gorse’s “Munich High End 2022: The Cream of Analogue,” published in this space on June 1. Jonathan is a devoted vinyl aficionado and had some favorite analog—um, analogue (Jonathan’s a Brit)—products to tell you about.
The Curious Case of Avalon Acoustics
- Written by: Jeff Fritz
- Category: Opinion
This past week a reader wrote to me with a simple question: “Jeff, good morning. Why have you never reviewed Avalon loudspeakers? And thus they do not make it to your ‘Definitive List of Loudspeaker Brands’? Thank you!”
Lyra Kleos SL Moving-Coil Cartridge
- Written by: Jonathan Gorse
- Category: Full-Length Reviews
Swordsmiths, samurai, and a little magic
You may be surprised to hear that moving-coil cartridges can trace their origins all the way back to 1946, when Ortofon developed a prototype. Since its commercial launch in 1948, the moving coil (MC) has become firmly established as the ne plus ultra for vinyl replay. The MC market is well served, with major manufacturers like Ortofon and Audio-Technica offering a wide variety of designs ranging in price from $200 to over $1000 (all prices in USD). Despite the scale of such firms and their impressive performance engineering capabilities, there’s another sector of the market that remains primarily the domain of smaller, niche operators.
iSonic P4875(II) Ultrasonic Record Cleaning Machine—Cleanliness is Next to . . . Fussiness
- Written by: Jason Thorpe
- Category: For the Record
It’s a cruel joke. It’s the gods laughing at us. The lovers of LPs—I hesitate to call us record collectors—are the most tightly wound subcategory of audiophiles. We fuss and obsess over the tiniest variations in cartridge alignment, hundredths of a gram in tracking force, single degrees of VTA. And the irony of it is we’re subject to—at the mercy of—the smallest, invisible particles of dirt lodged into record grooves. We can clearly hear dirt and contaminants that we can’t even see.
Roxy Music: "Stranded"
- Written by: Joseph Taylor
- Category: Recording of the Month
Virgin Records/UMC RMLP 3
Format: LP
Musical Performance: ****
Sound Quality: ****
Overall Enjoyment: ****
Stranded was Roxy Music’s third album in less than 18 months. Its second album, For Your Pleasure, had been released just eight months earlier, in March 1973. Brian Eno, a cofounder of the group, left soon after For Your Pleasure, to be replaced by Eddie Jobson on keyboards, synthesizers, and violin. Bassist John Gustafson also joined the group, and the lineup on Stranded, which included Bryan Ferry on vocals, Phil Manzanera on guitar, Andy Mackay on sax, and Paul Thompson on drums, would remain fixed for two more albums.
- Rising Hi-Fi Star from Greece—Pilium's High-End Hi-Fi Electronics on "SoundStage! Talks"
- Perlisten Audio: Like a Bolt from the Blue
- Munich High End 2022: The Cream of Analogue
- Dynaudio Confidence 60 Loudspeakers
- Savak: "Human Error / Human Delight"
- The Incredible Transparency of the Vivid Audio G1 Spirit Loudspeakers
- A New Feature on "SoundStage! Ultra": Reference Systems
- Gryphon Audio Designs Apex Stereo Amplifier
- The Art of the Box: DS Audio and EMM Labs
- Colin Hay: "I Just Don’t Know What to Do with Myself"
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